Ask Your Editor
So you’ve finally finished writing the book, but that isn’t the end of the story. The next step is making sure what you’ve written matches your vision and is hopefully not full of plot holes, typos, and weird phrasing. There are a ton of professional editors who have the knowledge and skills to help you, so finding someone you like, should be easy. But once you’ve found an editor you’re interested in working with, there are a few things to ask before handing over your manuscript.
Things to look for
If you’re going to pay someone money, you need to know they’re legitimate and not going to disappear or do a shitty job. Not every editor has a website, but there should be a way to check their training and experience so look for their social media presence. Look for them online and see if the way their comments and posts vibe with you and whether they have positive feedback from their clients.
Sample edits

To make sure you like their style and the way they give feedback, ask them if they’d work on a short sample for you. Choose one of your more problematic chapters rather than Chapter One because we often polish the opening more than the following ones. A later chapter gives the editor a clearer picture of what your manuscript really needs.
Once you get back the sample, take a little time to review their edits before making a decision. Once you’ve made your choice, let the other editors know with a quick email. That way they won’t feel like they’ve been ghosted.
Not all sample edits are free, so discuss this first. The editor might charge a small fee that’s later deducted from the total cost of the edit.
AI editing
Unfortunately, there are stories where the editor has just run the manuscript through ChatGPT or something similar and passed it off as their own work. To protect yourself, make a list of questions about the sample edit and arrange a quick video call. This is an easy way to confirm the editor knows their stuff and it also gives you a chance to get to know each other.
Feedback
Getting feedback can be painful, especially if it’s blunt or critical. I know because I’ve been on the receiving end and ouch, can it kill your motivation. You can generally get a feel for how they’ll communicate through emails, but a sample edit is the best way to see how they handle telling you something isn’t working and why.
Editors who provide line and copyediting often fix smaller issues like typos, spelling and punctuation errors without leaving comments. However, for grammatical problems, rephrasing sentences, tense issues, or organizing paragraphs, ask them to leave comments to help you understand why something isn’t working and make informed decisions about accepting or rejecting changes.

Because proofreading comes right at the end, typically after formatting, they may only leave a few comments with questions for the author or typesetter.
If you are getting a developmental edit, the editor not only leaves inline comments, but also provides a written report with examples of what you are doing right, and if something isn’t working, how you can fix it. Not every developmental edit is the same so it’s essential you know what you’re paying for.
Here are a few questions to help but add anything you want to know.
- How long does the edit take?
- How many revisions are included?
- What kind of comments do they leave?
- How many pages is the report?
- What things do you focus on?
- Is a video call included?
- Are follow-up emails included?

Standard manuscript evaluations don’t usually include suggestions for fixing issues, which is why I include a 1-hour Creative Call to discuss solutions for any problems and help you figure out your next steps. Check out what else is included here.

Timelines
You may have a deadline in mind. Ask the editor how long it will take to complete their edit and how much time you’ll have to review all their suggestions and comments. This is really important if your publishing date can’t be changed. Some editors will take on rush jobs, but might charge you a higher fee.
Be wary of unrealistic delivery dates that don’t match up with the number of hours an edit usually takes. For example, when I work on an evaluation, it usually takes between 10 days and 2 weeks. This includes a full read-through, taking detailed notes and leaving inline comments, before organizing everything into a detailed 7-10 page report.
Communication
Ask how you are going to keep in touch during the editing process. Most editors prefer to communicate via email or messenger, and others offer a feedback call as part of their service. Discuss how long it should take to respond to any emails or messages. It can feel nerve-wracking waiting for days for someone to get back to you.
Sometimes editors use technical jargon and forget that other people might not understand. Don’t feel embarrassed about asking them to clarify any unknown terms.
Communication is probably the most important part of your working relationship. You need to feel comfortable asking questions about their edits and saying no if it doesn’t feel right. If you feel uncomfortable, then this is probably a sign that you need to walk away.

Fees
The Editorial Freelancers Association have tool to show you the 2025 editing rates, but remember, it is only a guide. Different editors have different rates, which they feel are appropriate for their time, experience, and skills. Generally, the more time and effort they spend on your novel, the higher the fee. However, just because someone’s rates are low doesn’t mean they are offering a bad service. They could be newly qualified, live in a country that has a lower cost of living, or have other valid reasons for charging less.
Many editors offer packages which can save you money. Others have payment plans spread over several months. If you find the fee beyond what you can afford, talk to the editor. They may be able to work around it or suggest another editor within your budget.

Contracts
You and your editor should sign some type of contract. They’ll usually provide one that explains their terms and conditions. Read everything carefully. Highlight any parts you don’t understand or would like to discuss changing.
Make sure you understand all payment details and deadlines. Ask about cancellation fees or whether there is a clause for rescheduling if something urgent arises. Don’t sign something you might regret later.
Some writers feel nervous about handing over their manuscripts to a stranger. Talk to the editor regarding any concerns about confidentiality. Professional editors take confidentiality seriously and will be happy to sign a non-disclosure agreement (NDA).
Red Flags (in my opinion)
- No online presence of any kind: website, Instagram, Threads, etc.
- No training or experience
- No projects in your genre
- No testimonials or examples of previous projects
- Really, really, really low rates
- Superfast turnaround times + low rates
- Unsolicited DMs
- Badmouthing previous clients online
- Asking for the full fee upfront
- No contract
- Does the sample but can’t answer questions about it
- Website is a mess
- Not interested in a call or chat of any kind before signing
- Nothing about not using AI on their site or social media
- Unrealistic promises: your book will be a bestseller, zero errors, you’ll get a publishing deal, etc.
- Offers to do more than one level of editing in the same pass
- The same fee for any length of novel and all types of editing
Just one of these might not be a huge issue but if there are multiple, it’s probably best to walk away.

Final thoughts
Finding the right editor doesn’t have to be challenging or stressful. There are many different types of editors who are ready to help you finish your book. Take time to find the person who understands what you want to achieve and is willing to answer your questions and listen to your concerns.
